![]() Marczak and Lebeuf had previously been in a relationship and at the start of filming he was unaware that Lebuef had previously also had a relationship with Huszcza which later became a central conflict in the film. Though the six month relationship between Baginski and Eva Lebeuf that was portrayed in the film actually occurred, Marczak orchestrated the on-camera meeting between Baginski and Lebeuf believing that she could potentially be an interesting presence in the film. The film was marketed as a documentary, but director Michał Marczak resisted labelling the movie as such, admitting that while the participants in the film were not actors and the relationships were real, certain scenes were somewhat staged. Marczak spent several months preparing the film with Baginski and Huszcza, encouraging them to take improv classes. He spent a year scouring the Warsaw night scene eventually finding real life friends Krzysztof Baginski and Michal Huszcza who were both art students at the time of filming. Michał Marczak conceived of the film after witnessing how the generation after him was more liberal in their thinking. Nevertheless, Baginski later refers to the past year as the most important of his life. ![]() Their relationship eventually dissolves and Baginski is left with a crushing sense of loneliness which he struggles to overcome. When tensions arise between the two friends Baginski decides to move out and gets an apartment for himself, moving Lebeuf in with him. Baginski quickly falls for Lebeuf and the two begin a relationship. At a party on the beach, Huszcza introduces Baginski to Eva Lebeuf. Told in a non-linear fashion the film follows Krzysztof Baginski and Michal Huszcza, friends and roommates who go to parties and try to meet girls. While the film went on to play various documentary festivals around the world, Marczak was openly indifferent to the idea of categorizing his film as a documentary, giving various interviews in which he talked about how certain scenes in the film were staged. The film premiered at the 2016 Sundance Film Festival where Marczak won the directing prize in the World Cinema - Documentary category. Shot over a year and a half, the film focuses on real life friends Krzysztof Baginski and Michal Huszcza as they party around Warsaw and how their relationship struggles when Baginski begins a relationship with Eva Lebeuf, the French-Polish ex-girlfriend of Huszcza. But even if the immediacy of the director’s approach gives the material an electric charge, 100 minutes of it becomes monotonous.2016 Polish docufictional film by Michał MarczakĪll These Sleepless Nights ( Polish: Wszystkie nieprzespane noce) is a 2016 Polish docufictional film by Michał Marczak. Their supposed big ideas mostly tend toward naively romanticized self-celebration, which may in itself be meaningful in a country whose past was so shaped by oppression. Marczak’s unselfconscious subjects appear nostalgic for their evanescent youth, but despite their headlong immersion into its visceral pleasures, they have little to say about it beyond that it’s cool. ![]() ![]() What those movies had that’s lacking here is perspective. (Andre Techine’s Wild Reeds was the most widely seen of them.) But hearing Francoise Hardy’s ‘ 60s hit, “Tout les garcons et les filles,” evokes the 1994 multi-director decade-by-decade French telefilm series about youth, which took its umbrella title from that song. The eclectic selection of dance music and vintage French pop provides a lush carpet for all the free-floating revelry, with its rich sense of place and mood.
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